Available for pre-order - This title is due to ship in April.

Edited and designed by Jordan Weitzman
Cover by Marc Hundley
Translated by Christine Pichini

60 pages, 6.7” x 8.7”
Softcover
53 duotone images
ISBN 978-1-7389013-5-7

Hervé Guibert’s photobook The Only Face is not a novel in the traditional sense, but it is filled with characters, settings, and mystery. It starts with bodies — their faces either eclipsed or out of frame — before unleashing a bravura sequence of portraits: friends, lovers, family, Guibert himself. As the book approaches its final act, his subjects are again obscured. Then they disappear completely, leaving behind only the objects they touched, until even those vanish, leaving only light.

Most of the photographs in The Only Face were taken on Guibert’s travels — to Italy, Spain, Germany, Poland, Czechoslovakia, Hungary, the United States — but their settings are, with few exceptions, small private interiors. The effect is an inwardness that communicates Guibert’s deep affinity with his subjects. In his prior books, many of these same individuals are identified only by initials, but here he has elected to use their first names, further instilling the whole project with intimate familiarity. Guibert describes his initial apprehension about making this intimacy public, but he ultimately realized that by publicly exposing these "familiar bodies, beloved bodies, I am doing only one thing — an enormous thing, I believe, in any case the goal of all my work, all my creative pretension — which is this: to bear witness to my love."

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Hervé Guibert (1955–1991) was the author of twenty-five books, beginning with Propaganda Death (1977), a fictional memoir in the tradition of Georges Bataille, Jean Genet, and the Marquis de Sade. His best-selling novel To the Friend Who Did Not Save My Life (1990) was inspired by his long friendship with Michel Foucault and the two men’s experiences living with AIDS, which tragically ended Guibert’s life at the age of thirty-six.

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The Only Face, originally published in Paris for a 1984 solo exhibition at Galerie Agathe Gaillard, is the second and final book of photographs Guibert published in his lifetime (preceded by the photo-novel Suzanne and Louise, also reissued in English by Magic Hour Press). This new edition presents Guibert’s photographs in their original sequence, with his titles and introductory text translated by Christine Pichini and a brand-new cover by the artist Marc Hundley and a publisher’s note by Jordan Weitzman